其中一段講法國時
歌劇的演變那邊
Opera, as we think of it, is of course a rather restive form(這是啥意思!)
). It is the
melodious
drama (這個名詞也不太懂)of ancient Greek theater, the term ‘melodious drama’ being shortened
eventually to ‘melodrama’ because operas frequently are melodramatic, not to
say unrealistic.(這跟不現實又有啥關係) And the group that put the first operas together that we have
today even, were, they were…well…it was a group of men that included Gallo
Leo’s father Venchesil, and they met in Florence he and a group of friends of
the counts of the party and they formed what is called the Camarola Dayir
Bardy. And they took classical theater and reproduced it in the Renaissance’s
time. This…uh…this produced some of the operas that we have today.
The French said opera auto-reflect the rhythm and Kevin of dramatic literature, bearing in mind that
we are talking about the golden age in French literature. And so the music was
secondary, if you will, to the dramatic Kevin of language, to the way the
rhythm
of language was used to express feeling and used to add drama and of course
as a result instead of arias or solos, which would come to dominated Italian
opera. The French relied on that what is the Italian called French Word 1 or
French Word 2 in English. The lyrics were spoken, frequently to the
accomp**nt of a harpsichord. 這一段是說法國歌劇都是用講的,音樂是其次嗎??
The French said you really cannot talk about real people who lived in opera
and they relied on mythology to give them their characters and their plots,
mythology, the past old traditions, the novels of chivalry or the epics of
chivalry
out of the middle Ages. 這三句我也是有聽有看沒有懂XD The Italian said, no this is a great historical tool
and
what a better way to educate the public about Neo or Attalla or any number of
people than to put them into a play they can see and listen to. The English
appropriated opera after the French. Opera came late to England because all
貼上來的這幾段文字都看跟聽不懂耶XD
誰可以解釋一下他的意思(或者學藝術的大大可以解惑一下嗎)
或者誰有這篇的聽力中譯
可以貼給我一下嗎XD
我看這篇看了跟聽了快兩小時以上是完全無法理解耶
萬一考試考藝術考類似的我應該會掛掉吧!!
拜託各位幫我解惑了XD
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