[情報] 北市影委會對《棄城》的處理 - 台北萬華
By Edward Lewis
at 2011-05-12T01:04
at 2011-05-12T01:04
Table of Contents
※ [本文轉錄自 movie 看板 #1DoazbUA ]
作者: reke (當不成孩子王) 看板: movie
標題: [情報] 北市影委會對《棄城》的處理
時間: Wed May 11 16:57:06 2011
影委會協拍電影《棄城》過程說明與違規處理
原始連結:http://www.taipeifilmcommission.org/News/News.aspx?NewsID=1194
內容:
針對導演錢人豪執導、黑象國際影視有限公司所拍攝的電影《棄城》(原名Z- 108),於五
月六日凌晨至五月七日早上十點,於西門町申請封街拍攝但未做好事後清掃工作影響附近
商家,並引發網友在臉書串聯抗議的事件,以下是台北市電影委員會的處理與說明。
一、影委會協拍狀況:
《棄城》向本會申請於五月六日至五月十一日假西門町封街協拍,由本會於4/25、5/3召
開兩次協調會協調公私部門。
二、拍片過程:
《棄城》五月六日凌晨至五月七日早上十點,拍攝時並未遵守聘請二至四位義交於現場維
持秩序,且縮小了告示牌(A4大小),事後亦未完全清掃假血水而讓商家飽受困擾並相繼向
本會提出抱怨。
五月九日本會請該片製片親自到本會提出六日拍攝過程之說明並再度重申協拍規定,當晚
該片繼續於原地封街拍攝,本會曾加派協拍人員至現場支援以確保違規事件不再發生。然
而當晚該劇組依舊未遵守於現場提供拍戲告示牌的協拍規定,且亦未完全清理誠品 116廣
場前的假血水,更未對受影響之商家致歉,因此本會於凌晨三點會同當地派出所警員要求
劇組不得繼續拍攝。
三、《棄城》的違規拍攝過程說明如下:
1.劇組未依協調會結論張貼規定大小的告示牌(120x60cm)。
2.六日夜間拍攝時亦未依會議協定配置義交人員引起現場交管混亂。
3.事後(五月七日)未妥善清理現場引起市民反彈,有違本會協拍宗旨。
四、影委會處理方式:
因《棄城》六日與九日在西門町兩度違規拍攝,因此依照會議紀錄與攝製公約,針對導演
錢人豪、製作公司黑象國際影視有限公司與製片李昊,本會一年內將不再受理其在台北市
申請的協拍案,而導演與製作公司亦不得申請台北市政府相關的補助。
影委會甚為遺憾做出上述處置決定,但因台北市地狹人稠,封街讓劇組拍攝是台北市民重
視藝術創作、願意給予影人創作最大空間的熱情展現,相對的,影視工作者亦該回報以高
度的工作紀律,才能保障後繼的影視工作者有更佳的工作空間。
--
作者: reke (當不成孩子王) 看板: movie
標題: [情報] 北市影委會對《棄城》的處理
時間: Wed May 11 16:57:06 2011
影委會協拍電影《棄城》過程說明與違規處理
原始連結:http://www.taipeifilmcommission.org/News/News.aspx?NewsID=1194
內容:
針對導演錢人豪執導、黑象國際影視有限公司所拍攝的電影《棄城》(原名Z- 108),於五
月六日凌晨至五月七日早上十點,於西門町申請封街拍攝但未做好事後清掃工作影響附近
商家,並引發網友在臉書串聯抗議的事件,以下是台北市電影委員會的處理與說明。
一、影委會協拍狀況:
《棄城》向本會申請於五月六日至五月十一日假西門町封街協拍,由本會於4/25、5/3召
開兩次協調會協調公私部門。
二、拍片過程:
《棄城》五月六日凌晨至五月七日早上十點,拍攝時並未遵守聘請二至四位義交於現場維
持秩序,且縮小了告示牌(A4大小),事後亦未完全清掃假血水而讓商家飽受困擾並相繼向
本會提出抱怨。
五月九日本會請該片製片親自到本會提出六日拍攝過程之說明並再度重申協拍規定,當晚
該片繼續於原地封街拍攝,本會曾加派協拍人員至現場支援以確保違規事件不再發生。然
而當晚該劇組依舊未遵守於現場提供拍戲告示牌的協拍規定,且亦未完全清理誠品 116廣
場前的假血水,更未對受影響之商家致歉,因此本會於凌晨三點會同當地派出所警員要求
劇組不得繼續拍攝。
三、《棄城》的違規拍攝過程說明如下:
1.劇組未依協調會結論張貼規定大小的告示牌(120x60cm)。
2.六日夜間拍攝時亦未依會議協定配置義交人員引起現場交管混亂。
3.事後(五月七日)未妥善清理現場引起市民反彈,有違本會協拍宗旨。
四、影委會處理方式:
因《棄城》六日與九日在西門町兩度違規拍攝,因此依照會議紀錄與攝製公約,針對導演
錢人豪、製作公司黑象國際影視有限公司與製片李昊,本會一年內將不再受理其在台北市
申請的協拍案,而導演與製作公司亦不得申請台北市政府相關的補助。
影委會甚為遺憾做出上述處置決定,但因台北市地狹人稠,封街讓劇組拍攝是台北市民重
視藝術創作、願意給予影人創作最大空間的熱情展現,相對的,影視工作者亦該回報以高
度的工作紀律,才能保障後繼的影視工作者有更佳的工作空間。
--
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台北萬華
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