paragraph 2
In Berlin, for the premiere performance outside the Soviet Union of
The Battleship Potemkin, film director Sergei Eisenstein worked with Austrian
composer Edmund Meisel (1874-1930) on a musical score matching sound to
image; the Berlin screenings with live music helped to bring the film its wide
international fame.
對第五題有問題 答案是A
字面翻譯 和題目有關的文章提到:
在柏林 有個導演在他初次在Soviet Union of The Battleship Potemkin之外的表演
結合sound和image
可是我看不出來文中有說 在柏林放映之前 影片沒有和音樂結合
5. Paragraph 2 suggests which of the following about Eisenstein’s film The
Battleship Potemkirf?
A: The film was not accompanied by sound before its Berlin screening.
B: The film was unpopular in the Soviet Union before it was screened in Berlin.
C: Eisenstein’s film was the first instance of collaboration between a director
and a composer.
D: Eisenstein believed that the musical score in a film was as important as
dialogue.
--
In Berlin, for the premiere performance outside the Soviet Union of
The Battleship Potemkin, film director Sergei Eisenstein worked with Austrian
composer Edmund Meisel (1874-1930) on a musical score matching sound to
image; the Berlin screenings with live music helped to bring the film its wide
international fame.
對第五題有問題 答案是A
字面翻譯 和題目有關的文章提到:
在柏林 有個導演在他初次在Soviet Union of The Battleship Potemkin之外的表演
結合sound和image
可是我看不出來文中有說 在柏林放映之前 影片沒有和音樂結合
5. Paragraph 2 suggests which of the following about Eisenstein’s film The
Battleship Potemkirf?
A: The film was not accompanied by sound before its Berlin screening.
B: The film was unpopular in the Soviet Union before it was screened in Berlin.
C: Eisenstein’s film was the first instance of collaboration between a director
and a composer.
D: Eisenstein believed that the musical score in a film was as important as
dialogue.
--
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